Along the way, Shrek begins to fall in love with Fiona. Once Shrek and Donkey rescue Fiona, they take her back to Lord Farquaad. The Dragon turns out to be female, and after a minute or two falls in love with Donkey.ĭonkey, Shrek, and Fiona escape, and Dragon chases them. When Shrek and Donkey visit him, they are forced to rescue her from an enormous fire-breathing dragon named Dragon in exchange for Shrek's swamp being vacated. The lord needs Princess Fiona to marry him so he will become the king of Duloc. He befriends a talking donkey named Donkey, and they set off to meet with Farquaad. Shrek, a solitary ogre, is angered when fairy tale creatures are sent to live in his swamp ordered by Lord Farquaad. WeissĪron Warner, David Lipman and John H. Williams and Jeffrey KatzenbergĪndrew Adamson, Kelly Asbury and Conrad VernonĪndrew Adamson, Joe Stillman, J. Ted Elliott, Terry Rossio, Joe Stillman and Roger S. In May 2010, The New York Times described the principal Shrek characters as "brilliantly realized" and said "nearly a decade after the first Shrek film they remain as vital and engaging fusions of image, personality, and voice as any characters in the history of animation." The series was a financial success, becoming the 18th highest-grossing film franchise of all time and the second highest-grossing animated franchise. Additionally, a stage musical adaptation was made and premiered at Broadway for more than a year (2008–2010). Two spin-off films were made centered around the character Puss in Boots: 2011's Puss in Boots and its sequel, 2022's The Last Wish. Two television specials, the Christmas television special Shrek the Halls (2007) and the Halloween television special Scared Shrekless (2010), have also been produced. A short 4-D film, Shrek 4-D, which originally was a theme park ride, was released in 2003. It includes four computer-animated films: Shrek (2001), Shrek 2 (2004), Shrek the Third (2007), and Shrek Forever After (2010). The series primarily focuses on Shrek, a bad-tempered but good-hearted ogre, who begrudgingly accepts a quest to rescue a princess, resulting in him finding friends and going on many subsequent adventures in a fairy tale world. Shrek is an American media franchise created by DreamWorks Animation, loosely based on William Steig's 1990 picture book Shrek!. * Shrek 4-D is also known as Shrek 3-D on the DVD release, and The Ghost of Lord Farquaad on the Netflix release.
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Children (and in our case adults also) are more than just socialized by movies the films as texts directly affect their representation of the world and participate in the constitution of the social world. Therefore, proposing an interpretation of these movies as texts also offers an interpretation and a representation of the world. Insofar as movies constitute partly social reality, how can we interpret these visual texts? Our contention is that popular culture, including children’s movies, constitutes and represents the social world. We are interested in these narratives (in our case visual representations) and their interplay with power politics, especially race and gender conflicts. This chapter, however, will focus on the narratives of the movies. This fact could clearly lead to insights pertaining to the political economy of film. Just the first movie, Shrek, made a total box office of 479.2 million dollars (Hopkins, 2004: p. The profits of the franchise are estimated at 1.4 billion dollars (“Interview,” 2007). DreamWorks, the production company, decided to make the green ogre a worldwide cultural product, by designing hundreds of products related to the monster. The trilogy Shrek has been among the most successful animated movies at the box office in the history of cinema.